The WGA nominations sort of tell what is on the Oscar radar. Only writers in the union are able to compete in the WGA. DJANGO UNCHAINED, MIDDLE OF NOWHERE, BEASTS OF THE SOUTHERN WILD and LES MISERABLES were all not eligible. While 282 films are in the running for Best Picture at the Oscars, only 68 of these had original scripts that can compete for a WGA and there are just 44 adapted screenplays that can contend.
Flight, Written by John Gatins; Paramount Pictures
Looper, Written by Rian Johnson; TriStar Pictures
The Master, Written by Paul Thomas Anderson; The Weinstein Company
Moonrise Kingdom, Written by Wes Anderson & Roman Coppola; Focus Features
Zero Dark Thirty, Written by Mark Boal; Columbia Pictures
*LOOPER is the big surprise here.
Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures
Life of Pi, Screenplay by David Magee; Based on the novel by Yann Martel; 20th Century Fox
Lincoln, Screenplay by Tony Kushner; Based in part on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin; DreamWorks Pictures
The Perks of Being a Wallflower, Screenplay by Stephen Chbosky; Based on his book; Summit Entertainment
Silver Linings Playbook, Screenplay by David O. Russell; Based on the novel by Matthew Quick; The Weinstein Company
*None of the others can compete against LINCOLN. PERKS OF BEING A WALLFLOWER is a nice little surprise.
The Central Park Five, Written by Sarah Burns and David McMahon and Ken Burns; Sundance Selects
The Invisible War, Written by Kirby Dick; Cinedigm Entertainment Group
Mea Maxima Culpa: Silence in the House of God, Written by Alex Gibney; HBO Documentary Films
Searching for Sugar Man, Written by Malik Bendejelloul; Sony Pictures Classics
We Are Legion: The Story of the Hacktivists, Written by Brian Knappenberger; Cinetic Media
West of Memphis, Written by Amy Berg & Billy McMillin; Sony Pictures Classics